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Soundhouse: Intimacy & Distance
Imaginary Viewing Platform for the Antitwilight Arc
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Trapper | Keeper
What Carries on the Wind?
Magnetic Gesture
Terrain Vague
Pastel Demolition
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Mapping the Interior
Exquisite Corpse | Audiovisual Zine
Feels Like Rain
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Not Just a Cut | Weird Noise
A Time-Based Medium
Making Time
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Walled Gardens
Come In Kindness
Object Permanence
A Place but Not Its Name
Shifting Ground
Floodplanes
The River that Used to be a Highway
Dramatic Restaging of the Iway Bridge Float
Critical Capital Improvements
CIVIC
CIVIC (Movements)
Some Gift, Reenactments
Reverberations at Fort Adams | Audiovisual Installation
Monument to the Premier Avon Representative of the Bronx
Translating Google Earth (41.819120, -71.398203)
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ARIANA MARTINEZ
HOME
Sound + Motion
PARESTHESIAS & PETRICHOR
FIELDS
Perfect Love
Audio Features + Documentary
Soundhouse: Intimacy & Distance
Imaginary Viewing Platform for the Antitwilight Arc
Sculpture
Trapper | Keeper
What Carries on the Wind?
Magnetic Gesture
Terrain Vague
Pastel Demolition
Images
Atmos
Mapping the Interior
Exquisite Corpse | Audiovisual Zine
Feels Like Rain
Research + Writing
Sound Fields
Not Just a Cut | Weird Noise
A Time-Based Medium
Making Time
About
CV
Contact
Archive
Walled Gardens
Come In Kindness
Object Permanence
A Place but Not Its Name
Shifting Ground
Floodplanes
The River that Used to be a Highway
Dramatic Restaging of the Iway Bridge Float
Critical Capital Improvements
CIVIC
CIVIC (Movements)
Some Gift, Reenactments
Reverberations at Fort Adams | Audiovisual Installation
Monument to the Premier Avon Representative of the Bronx
Translating Google Earth (41.819120, -71.398203)
Object Permanence
Trace monotype on paper, variable dimensions. 2020
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